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Fast Drying Media | ||||||
Maroger Neo-Meglip Liquin Here is how artists use Liquin. Some mix Liquin into a small pile of paint on a palette, others put a little pile of Liquin, about the size of a nickel, over on the side of the palette, then pick up a just a little on a brush before going into the paint. Both ways, Liquin mixes very well especially in the beginning when doing the underpainting layers. Because it has oil in it, it can be used in later opaque layers but not as much as in the beginning, thus it still works well with the "fat over lean" principle. Experiment to find the ratio of Liquin/paint for you as it is a dryer as well as a flow-improver. A fairly thinly painted piece will dry to the touch in 1-3 days. Glazes dry to the touch overnightor or quicker. Note: It's still a good idea to wait the usual 6+ months before the final varnishing, however, if you paint thickly. |
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Lead* Driers *Lead dries from the inside out. Drying from the outside in causes wrinkling and cracking. Lead is very stable, cannot be absorbed through the skin, and is not more toxic than the other driers mentioned. It is proven to help form a very stable paint film, and is quite safe when used with caution and soap. Cobalt and manganese, for example, easily touch-dry the surface of a film but leave the subsurface soft. Therefore, lead driers are added to help dry this subsurface, in the process known as "throughdrying".
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